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How Do You Talk Dirty Without Feeling Awkward? Start With One Word

Awkwardness is the entry fee. The step this episode puts first is rehearsing out loud, alone, before a partner ever hears it. Notes on Shameless Sex 504 with Dr. Shannon Chavez.

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Podcast Notes · 9 min · Last reviewed Sep 2026

Vivian holds a bottle of Water-Based H2O Original Lubricant out at arm's length in both hands, mouth open on a word she's never said out loud before, laughing at her own nerve in a sunlit room.

Dirty talk sits on a spectrum, so one word, one sound, or one held look already counts as doing it. Rehearsing those words out loud alone is the step sex therapist Dr. Shannon Chavez puts before any attempt with a partner, because it spends the self-consciousness in private.

It is a familiar moment. Two people are undressed, things are going well, and one of them opens their mouth to say something and hears it in advance, in their own voice, sounding ridiculous. The sentence gets swallowed. The evening carries on perfectly well and a little quieter than it could have been.

I want to take the weight off that moment before we go any further. A missing vocabulary is rarely the problem. The audition running in your own head is what shuts your mouth, and Dr. Shannon Chavez spent an hour on Shameless Sex taking that audition apart.

The show, the guest, and what I read

Episode 504, "How to Dirty Talk Without the Cringe," comes from Shameless Sex. The show is hosted by Amy Baldwin and April Lampert, who both hold sex-educator certification, and Amy carries this one almost solo. Their guest is Dr. Shannon Chavez, a licensed clinical psychologist and AASECT-certified sex therapist who founded SHAPE Psychology. Reviewed from the complete transcript.

Chavez deletes the pass mark

Her opening move is to throw out the test. There is no threshold where talk becomes real dirty talk and below which it does not count. A single word qualifies. A sound qualifies. A look held half a second too long qualifies. Once the pass mark goes, the reason to stay silent goes with it.

Every other idea in the hour rests on that reframe, so it is worth sitting with. Chavez leads with it because the all-or-nothing test is what stops people trying at all.

Rehearsing alone is the step that gets skipped

Chavez's instruction is to say the charged words out loud, by yourself, before anyone else is in the room. Amy describes doing exactly that herself with one specific word, repeating it alone until it felt natural. The whole technique fits in that sentence. Say it to the ceiling, say it in the shower, say it in the car, and let it go boring.

The first time your partner hears the word should never be the first time your mouth has made the shape. Self-consciousness is a rehearsal problem, and rehearsing in private is what it responds to. The louder version of that same noise is the commentary that arrives mid-sex, and we took that apart separately in quieting the narrator during sex.

Passive practice happens with your clothes on

The groundwork Chavez calls passive practice is talking about sex and bodies at moments when nothing is about to happen. Her own example is deliberately unglamorous: a partner mentioning hormonal changes, or a patch on their skin, at the kitchen table. Nothing in it is erotic. The reps still count.

A mouth that has said the word cervix over breakfast has an easier time with a charged one after dark. Start here when the bedroom version feels impossible, because this version costs nothing and nobody is grading the delivery. The same muscle gets built in the conversation about bringing a toy up with a partner.

Sounds count on their own terms

Chavez refuses to treat a moan as the consolation prize for anyone who cannot manage sentences. She files sounds and body language in the same drawer as words: breath, a hum that answers a question, a hand moving someone exactly where you want them. Wanting nothing to do with explicit vocabulary locks you out of none of this. Breath is language. A hand placed with intent is a full sentence.

Fold the logistics into the line

The sharpest small move in the hour fixes a specific interruption: you want more lube, and asking for it flatly drops the temperature of the whole room. Chavez's answer is to make the request in the register you are already in. Tell them to get it. Tell them what you want them to do with it once they have. The errand becomes part of the scene instead of a pause in it.

The practical half matters just as much. The bottle lives within arm's reach before anything starts, because the technique dies the second one of you has to stand up and go looking. A big bottle of something water-based on the nightstand is the unromantic purchase that protects the romantic part.

Water-based is the low-drama default because it is safe with silicone toys and rinses off skin and sheets without ceremony. If you want the longer version of that trade-off, we laid it out in which water-based lube to buy, and the full shelf lives in lubricants.

Anything outside your usual gets agreed on in daylight

Chavez draws one firm line and I would draw it harder. Fantasy language that sits outside what the two of you normally do, name-calling and the more intense scenarios included, gets agreed on before the clothes come off. The reason is not that wanting it is dangerous. A word arriving unannounced finds nerves neither of you knew were there, and the person who said it has no way to take it back mid-scene.

She frames pre-negotiation as making play safer without cooling it down, and she is right about that. Deciding in advance what is in play is precisely what lets you stop monitoring yourself once you are in it. We walked through that conversation at length in how to tell your partner about a fantasy.

The listener's half of this barely gets airtime

The hour is built for the person doing the talking, and the person listening does most of the work of making it survivable. A word said into silence dies there. The same word answered with a sound, or with the plain physical evidence that it worked, gets said again next week, louder. The partner who has been waiting for someone to talk to them has one job the first time it happens, and that job is to react generously and out loud.

That same generosity decides whether a first reach ever becomes a second one, and it is the thread running through our notes on initiating sex without pressure.

One more thing, because it is in the recording and it belongs in a different category from everything above. Before Chavez joins, the hosts trade their own theories about alcohol drying things out and a cannabis product sharpening sensation. That is two educators talking casually about their own experience in a cold open. None of it is her clinical material and none of it is sourced, so I am leaving it where it sits.

And one honest limit on the whole episode. Awkwardness responds to rehearsal. Talking to your partner about sex at all feeling impossible rather than merely clumsy is a different problem with a different address, and a sex therapist is the person who works on it. Chavez does that for a living, which is worth remembering while you take her advice.

You cannot fail at this

The episode closes on the line I would hang on the wall: you cannot fail at dirty talk. No panel is scoring it. The worst available outcome is that one of you laughs, and a laugh in bed means two people are comfortable enough to make a sound neither of them planned.

So pick one word. Say it to yourself until it bores you, then spend it on someone who has been waiting to hear it. The second one comes out much easier than the first.

Frequently asked questions

How do you start talking dirty if you have never done it?

Start with one word and rehearse it alone, out loud, until it stops making you flinch. Chavez treats dirty talk as a learnable skill rather than a personality trait, and rehearsal in private is the step she puts before any attempt with a partner. One word delivered steadily beats a paragraph delivered in a strangled voice.

Is it normal to feel awkward or cringe when you talk dirty?

Yes. Chavez treats the awkwardness as the ordinary cost of learning a new skill, and the episode closes on explicit permission to be bad at it. Repetition is what wears the cringe down, and that is how the episode frames it.

Can you do dirty talk without saying explicit words?

Yes. Chavez counts sounds and body language as legitimate forms in their own right, not as a downgrade from verbal talk. Breath, a hum, and a hand guiding someone where you want them all carry the message.

What do you actually say during dirty talk?

Say what is true in the moment, in the shortest form you can manage. Name what you like, name what you want next, and make practical requests in the same register instead of stepping outside the scene to make them. Chavez's own example is folding a request for more lube into the talk rather than delivering it as a flat logistical ask.

Should you agree on fantasy language before using it in bed?

Yes, for anything outside what the two of you normally do. Chavez advises pre-negotiating name-calling and more intense scenarios outside the moment, and she frames that as making the play safer without cooling it down. A word introduced live for the first time gives nobody room to opt out.

How do you ask for more lube without breaking the mood?

Deliver the request as a line rather than as an announcement, and keep the bottle within reach so nobody has to leave. Telling your partner to get it and telling them what to do with it once they have keeps the exchange inside the scene.

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